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Being me, it began ambitiously. I was going to reproduce a painting by Vaco that I really like. I downloaded it and built a properly scaled grid over it so I could copy the design out faultlessly. Then I remembered that I would also need to reproduce the professional paint job, so I changed my design philosophy and did my own thing with flat colours. I call it “The Seeing Eye Sees And Having Seen, Moves On”. The catalogue copy will explain it all; the comma may be especially significant.
Enamel paint is semi-transparent and apparently needs to be “flowed on with a full brush”. So I made further downward adjustments to my ambitions. When I checked on the net later, it seemed as if most 14-year-olds know this already. Well, they didn’t teach it in school in my day. Another thing I wasn’t taught is that if you forget the masking tape and you notice two days later that some paint's trickled down the side, you can’t just take it off with turpentine – it’s not nail polish. But on the subject of beauty products, my years of experiments with eye shadow have given me a very steady hand with the finer brushes. It’s also given my some highly effective, though unorthodox, things in my workbox, such as ear buds and cotton balls.
My masterpiece has really become a practice project in how to do the thing. I’ve identified two other pieces in my room for fame and glory. One of them will not occasion much comment (apart from, maybe, “do you know how much that veneer cost me?”), but the other might involve some dispute with the owner.
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The table’s not finished yet, though the painting part is over. I found a great rubbing technique that involves some complicated antics with pumice powder and linseed oil, which is supposed to turn glossy to matte. If not, I can always learn how to strip paint and start over.
1 comment:
That is a fine job you have done. The table looks very good. :) You must ask your brother to submit that pending application in triplicate, though.
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